Play Along Piano

Tags

Opera

The Phantom of the Opera

musikmann

4:02	Est. Play Time
121	Measures
	2,711Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
	23	1	9	2	100%
Electric Bass	20	0	6	2	100%
Violoncello	18	0	3	3	77%
Contrabass	18	0	3	2	75%
Christine	29	0	3	7	57%
Electric Guitar	35	20	11	9	40%
Phantom	20	0	3	5	36%
Violin 1	25	0	3	7	30%
B♭ Trumpet 1	16	0	6	6	19%
Trombone 1	13	0	5	6	19%
Violin 2	24	0	3	7	17%
B♭ Trumpet 2	16	0	4	6	16%
F Horn 1 amp;amp; 3	13	0	6	4	12%
Viola	9	0	1	6	12%
Timpani	5	0	0	2	12%
Flute 1	9	0	3	6	11%
Trombone 2	11	0	4	5	11%
Flute 2	9	0	2	6	9%
F Horn 2 amp;amp; 4	13	0	5	4	7%
Tuba	12	0	3	4	7%
Oboe 1	8	0	2	6	7%
B♭ Clarinet 1	10	0	2	4	5%
B♭ Clarinet 2	7	0	2	4	5%
Bassoon 1	8	0	2	4	5%
Bassoon 2	10	0	2	4	5%
Oboe 2	10	0	3	4	5%

Cavallaria Rusticana - Intermezzo

MaestroMoi

2:34	Est. Play Time
48	Measures
	1,171Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	16	0	1	6	100%
Violins 1	13	0	1	8	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	16	0	1	6	100%
Violins 1	13	0	1	8	100%
Violins 2	14	0	2	6	100%
Violoncellos	16	0	3	6	100%
Harp	15	32	0	1	43%
	20	12	0	2	65%
Organ	12	28	0	4	60%
	11	11	0	4	60%
	0	0	0	0	0%
Oboe	9	0	1	5	15%
A Clarinet	1	0	0	2	4%
	1	0	0	2	4%

The Naval Battle

CelticRose

0:14	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	0	2	2	75%
	7	0	2	2	75%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
B Trumpet	6	2	2	50%
	6	2	2	50%
Double Basses	3	1	1	50%
Flute	17	4	2	50%
Piccolo	17	4	2	50%
Timpani	1	0	2	50%
Violas	3	1	1	50%
Violins 1	17	4	2	50%
Violins 2	17	4	2	50%
Violoncellos	3	1	1	50%
F Tuba	4	2	2	25%
Oboe	3	1	1	25%

Overture

BelCantoOpera

6:16	Est. Play Time
177	Measures
	1,908Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	0	6	69%
Violins 1	20	0	0	7	64%
View all 22 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	6	69%
Violins 1	20	0	7	64%
Violas	18	0	8	63%
Violins 2	21	0	5	61%
Double Basses	16	0	6	59%
Flute	11	0	5	18%
	14	0	7	34%
B Trumpet	11	4	9	25%
	15	5	7	18%
Trombone	14	0	7	24%
	4	0	2	4%
Oboe	10	0	5	7%
	14	0	6	22%
Horn	12	2	6	21%
	10	1	4	19%
Bassoon	14	0	7	16%
	10	0	7	10%
B Clarinet	11	4	4	10%
	10	2	4	10%
Timpani	4	0	2	9%
F Tuba	3	0	2	2%
Piccolo	3	0	2	2%

"Night Train" - Philip Glass (arr. for solo piano)

bradleygpittman

7:35	Est. Play Time
123	Measures
	1,516Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

Flight_of_the_Bumble-Bee

Nevin Williams

1:15	Est. Play Time
103	Measures
	1,477Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
	26	4	11	3	81%
Violoncello	19	9	6	3	75%
Flute	31	20	14	3	72%
A Clarinet	18	6	7	2	24%
	27	9	11	2	60%
Bassoon	20	26	6	3	50%
Contrabass	14	0	3	2	48%
Horn in F	1	0	0	1	1%
	9	7	1	3	29%
Oboe	8	5	0	3	18%
English Horn	4	0	1	2	6%
B♭ Bass Trumpet	2	1	1	1	1%
Timpani	1	0	0	1	1%
Trombone	2	1	0	1	1%
Tuba	2	1	0	1	1%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)

edward.maurath

0:33	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	11	5	2	100%
	5	1	0	2	86%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	11	5	2	100%
	5	1	0	2	86%
Violoncello	4	0	0	3	100%
Alto	9	0	2	3	86%

O Mio Babbino Caro- Puccini (Gianni Schicchi)

Owlman142

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
Violini I.	15	7	1	5	94%
Violini II.	16	10	0	5	94%
Contrabassi.	7	0	0	2	84%
Arpa.	16	4	0	2	48%
	20	7	1	2	79%
LAURETTA.	10	0	0	4	78%
Clarinetti 1. e 2. in Si ♭	13	5	0	5	62%
Oboi 1. e 2.	10	10	1	5	59%
Flauti 1. e 2.	16	4	0	4	58%
Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot;	2	1	0	3	6%
	9	1	1	4	51%
Fagotti 1. e 2.	7	3	1	5	38%
Corno Inglese.	7	0	0	5	28%
Trombe 1. 2. e 3. in FA	8	3	1	2	25%
Clarone in Si ♭	4	0	0	2	13%

Золотой петушок

Ivan P

4:08	Est. Play Time
80	Measures
	2,282Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
V. Celli	34	1	20	8	87%
Violini I	35	3	22	7	82%
C.-Bassi	19	1	9	7	80%
2 Fagotti	31	0	17	8	75%
Viole	27	10	12	8	72%
Violini II	29	7	15	7	71%
2 Oboi	26	0	16	8	60%
2 Flauti	32	0	22	9	56%
2 Clarinetti in B	37	0	15	8	49%
2 Arpe	36	9	21	6	43%
	27	9	15	6	22%
4 Corni in F	16	0	3	5	28%
	19	0	6	5	41%
Corno Inglese	18	0	10	5	30%
2 Trombe in C	16	0	3	5	29%
Flauto piccolo	20	0	14	6	23%
Contrafagotto	8	0	3	5	22%
Звездочёт	16	0	6	5	22%
2 Clarinetti in A	34	0	20	8	21%
Timpani	2	0	0	3	20%
3 Tromboni	6	0	1	2	4%
	9	0	0	3	19%
Campanelli	13	0	5	1	14%
Clarinetto-basso in A	11	0	4	4	14%
Clarinetto-basso in B	7	0	2	3	8%
Celeste	16	12	7	1	4%
	12	8	5	1	4%
Tuba	6	0	1	3	3%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)

edward.maurath

0:33	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Evaneo	10	0	1	3	100%
Violoncello (Continuo)	6	0	0	3	100%
Cembalo (Continuo)	10	13	2	4	92%
	10	6	1	5	92%